top of page

ACE FREHLEY

Voices Of Rock & Metal (Issue 107: Jun 2024)
Ace Frehley
No 31_edited.png

With a career spanning more than fifty years, first as lead guitarist in KISS and then as a solo artist, Ace Frehley needs little introduction. While KISS may now have finally retired, Frehley continues to push ahead, releasing his 6th solo album, ‘10,000 Volts’, since quitting KISS for a second time in 2002. Mick Burgess spoke to him to get the low down on his latest effort, which may well be the best thing he’s done since his fabled 1978 solo album.

'That was a song that somehow eluded us as a single.'

You’ve just released your latest album, ‘10,000 Volts’. Are you pleased with the reaction to that so far?


Oh yeah, I’m very happy with the way the record came out! Primarily it was just me and Steve Brown; Steve not only co-wrote the songs with me but he engineered the album as well. That made it very easy to do because of that old saying, too many chefs in the kitchen spoils the stew. I’m a firm believer in that, so 90% of the time it was just me and Steve working together in my studio or in his studio.


How did you start working with Steve Brown?


I started writing the material over a year ago. It was going slowly so my fiancée, Laura, suggested getting together with Steve Brown. I’d met him a couple of times so I knew him briefly but she knew him well. When we got together it was like magic, we really hit it off… he’s like my soulmate in music. When we started we kept churning out song after song; the first one we did was ‘Walking On The Moon’


‘Fighting For Life’ may well be one of the hardest rocking songs you’ve ever recorded.


That was a song that somehow eluded us as a single. We’ve already recorded three videos – for ‘10,000 Volts’, ‘Walking On The Moon’ and the third was ‘Cherry Medicine’ – but for some reason… I knew ‘Fighting For Life’ was a great rockin’ song but I didn’t think it’d get the reaction that it got. A lot of fans have said it should have been the first single but who knew? We might end up shooting a video for that…


‘Back Into My Arms Again’ was a song you played live with Frehley’s Comet way back at the start of the band when Richie Scarlett was first with you. Why has it taken nearly forty years to get this recorded on an album?


We were in my studio one day looking at Ace Frehley songs on YouTube and there was this demo of ‘Back In My Arms Again’. Steve thought it was a great song and he asked if I’d ever put it on a record and I said, “No”. So he just said that we should do it and that was it. I have dozens of songs that I’ve written but have never recorded so it’s just a matter of systematically going through all my old tapes. I have two hundred reels of two-inch tape and I don’t know what’s on half of them, so one day I’ll go through them but I’ll have to bake them as they are so old. Once they are on digital format, it’s there forever and we can work on them.

It’s something of a tradition to have a cover on your record, whether it’s ‘New York Groove’, ‘Do Ya’ or ‘Fox On The Run’. On this album you covered ‘Life Of A Stranger’ by Nadia, who’s idea was it to cover that?


That was absolutely my idea! I loved that song the very first time I heard it in the movie ‘Transporter’ with Jason Statham. I checked out the credits at the end of the film. It’s very sparsely recorded with a drum machine which is nothing like my version. When I hear a good song, I don’t forget it. The lyrics, the melody and the chord changes of that song are fabulous. I put my heart and soul into that song when I recorded and it and I’m thrilled at the way it turned out.


Talking of traditions, you have the trademark Ace instrumental ‘Stratosphere’ closing the album. Is that always something you enjoy doing, to let you showcase a different side to your playing?


Since my 1978 album, I’ve always done an instrumental. That all started with ‘Fractured Mirror’ and the most recent instalment is ‘Stratosphere’. It will continue as I think my fans would get really upset if I didn’t include an instrumental.


You sing lead vocals on all of the songs. In the past you’ve had a co-singer with you – including Todd Howarth in Frehley’s Comet, Scott Coogan and Anthony Esposito – when you’ve played live. Did you consider working with another singer?


I’m not a trained vocalist and don’t even consider myself as a lead singer. I just sing lead out of necessity as I’m writing the songs and don’t have a lead singer so I just have to sing them. In the early days of KISS I’d let Peter or Gene sing. Peter did ‘Strange Ways’ and Gene sang ‘Parasite’ and ‘Cold Gin’ as I was afraid to do it. Eventually I wrote ‘Shock Me’ as everyone in the band said it was time for me to sing lead. Once I did that I felt confident.


Was the first time singing that on stage pretty nerve wracking for you?


A little bit but I had a little buzz on… I used to drink and do coke back in those days to keep me going. It came out great and I felt comfortable and I was happy. It got a good response so from that point on you couldn’t stop me. Then it got to the point when we did the ‘Dynasty’ record, I sang more songs than Gene; I sang three and he only did two… I did three on ‘Unmasked’ too. I think Gene was too busy fucking Cher and Diana Ross!


You mentioned ‘Strange Ways’ earlier; that song features one of your most inventive solos. How did you come up with that?


That’s one of my favourite solos; I did that in one take. For some reason I just wasn’t feeling it so my producer asked me what I wanted to do. I said I just wanted to stand in front of the stack, turn my amp onto ten and just fuckin’ go for it… and I got this wild feedback!


‘Dark Light’ from ‘The Elder’ is another of your solos that just explodes from nowhere.


That was crazy. We’d recorded the bulk of ‘The Elder’ in my studio in Connecticut and then Bob Ezrin had to go home to Toronto. So I went up with Eric Carr and Bob ended up playing bass and we jammed on that song; it came out great and it inspired me to do a great guitar solo. I wanted to impress Bob and do something a little different to anything I’ve ever done. We had a lot of fun. I thought outside of the box and that was something Eddie Kramer taught me.


Every album you do is always benchmarked against your 1978 solo album. How do you feel that ‘10,000 Volts’ compares to that?


I think it’s equally as good. Some people think that it’s better and some think my 1978 record is better. That solo album was my first and set the benchmark. I don’t really care though as long as people like it and buy it, download it or stream it… then I’ll be happy. I think it’s a great record. The record company said they are going to try to get me a Grammy for it… I’d be happy with a nomination.


How do you feel your playing and singing has developed since that first album?


My style hasn’t changed much since I did my solo album in 1978. What I find interesting is that when I play my new album to people that don’t really know me or aren’t a huge fan, they think that my voice sounds so youthful. If I play them my 1978 solo album they say that my voice hasn’t changed, which is weird as when most singers get into their 60s or 70s their voices change. I don’t even know how I do what I do. I’m not a trained musician; people ask me if I can read music and I don’t. I don’t warm up before playing….

'Then it got to the point when we did the ‘Dynasty’ record, I sang more songs than Gene; I sang three and he only did two...'

Do you hope to play a few songs from your new album when you hit the road?


We’ll probably do ‘10,000 Volts’ and I think we’ll work up ‘Cherry Medicine’ too; that’s an easy song to sing and play. ‘10,000 Volts’ was a little tricky for me to sing and play so I worked with Steve on making the guitar part a little easier; so my guitar player will play the more difficult part when I’m singing. It’s a very wordy song so singing all those lyrics while playing a difficult guitar part was just too tricky. So Jeremy will play the harder part while I’m singing and he’ll do the intro solo and ending solo while I’ll do the solo in the middle.


Obviously you’re known for your time in KISS. They finally called time on the band in December. Were you disappointed not to have been invited to just one show to celebrate your pivotal role in the band?


Not really. After what Paul said on the Howard Stern Show, I had no desire to perform with them. He said that if me and Peter came up on stage you might as well call the band PISS, so after that I resigned myself that I’d have no involvement in any of those shows. A lot of the fans were disappointed because those guys constantly contradict themselves. If you go back six to nine months prior to the last shows, Gene and Paul and Doc were inviting us to play. A month or so before we were due to come up and play with them, Paul made that statement which made it impossible for me to come and play next to them. They just didn’t make any sense and in many cases they never have.


Gene and Paul have at times questioned your work ethic; do you feel that the six albums you have done since you left has more than answered that?


I choose to do what I do and I really have no idea why Paul and Gene do what they do. From my vantage point, it’s a money grab. They do the same set over and over again and they’re not concerned with doing new material. Gene has said that Rock is dead, although recently he did say something nice about me in an interview and about my record. I love Gene; we used to room together when we had no money… Peter used to room with Paul.


Gene has his own solo band now. That would make an intriguing co-headlining tour?


Anything is possible. Some fans have thought that I could play guitar with Gene but I’m so booked up for the rest of the year I just couldn’t fit it in, even if he asked me to, as I’ve made commitments and signed contracts. I wouldn’t discount the fact that maybe we could co-headline some shows; I would definitely get up on stage and play with Gene. He actually took me to Australia in 2018 when he was doing his Vault Experience…. I called that his Silly Safe. Gene probably had a laugh about that himself; he has a good sense of humour.


You clearly still have a lot of time for Gene?


Last year Gene collapsed on stage in South America and I was concerned. I wrote him an email and said, “Hi Gene, it’s Ace. Are you doing Okay?” Within five minutes he emailed me back and said he was just dehydrated as he’d been playing in the jungle, it was humid and 106 degrees. Once he was hydrated, he was fine. That’s the kind of relationship me and Gene have… I used to have that with Paul, but at this juncture, it’s not.


Do you still hear from Peter?


Yeah, I still hear from Peter, I just spoke to him a few weeks ago. He lives about an hour and a half away from me. Peter’s 77 now so there’s no way he could do a two hour set, but he can still play. Six months ago I did a thing in Florida with Peter and, funnily enough, Vinnie Vincent… it was really weird. He was my first replacement after I quit KISS and that was the first time I’d met him. It was like this little guy and I’m looking down on him and he looked like my grandmother or something. He can still play and he plays crazy. Peter knocked out three or four songs and so did I, we did a couple together and we had fun.


You’ve always had a good relationship with Bruce Kulick too?


I love Bruce, me and Bruce are very good friends. We’ve always kept in touch over the years and there’s a mutual respect that’s not there with Tommy (Thayer, final KISS guitarist). I think there is some respect though as he was a fan of mine when he used to be in a KISS cover band when he was younger, so there’s a mutual respect but he just doesn’t verbalise it. Tommy can play the same notes but it just doesn’t sound the same. I have a certain technique that I use, the way I get harmonics, and I have a certain swagger and attitude like Keith Richards has. Other people can play Rolling Stones songs but it doesn’t sound like Keith Richards.


You had those two stints in the band from 1974-1982 and then 1996-2002; how do you feel looking back on it now?


It was a lot of fun except when it started getting weird when Gene and Paul started making deals behind our back’s making extra money and we weren’t included in it. It left a sour taste in my mouth so I just walked away. When we were equal partners and were a democratic band we all made the same money, which was great. We even split the publishing four ways, even where one person didn’t write the song… that was Bill Aucoin’s idea. Mostly we got along well and had weekly meetings where we’d air out whatever was bothering us as resentments can wreck a band. We got along for years and then the drugs and alcohol came into play and that didn’t help it as Paul and Gene were sober.

Europelogo.png

Did you leave KISS or did Gene and Paul fire you?


To this day I’ll see in interviews that they’ve said that they fired me, which is a complete falsehood. Every time I left the band I had quit. The first time, they begged me to stay. Paul came to my house and took me out to lunch and said that I should think twice about it, but I had to get away, I just felt it was time. I was starting to get crazy in the band and I wasn’t happy with all the merchandising, we were becoming a parody of ourselves. There were so many kids in the audience with their lunch boxes and I thought we should have been a Heavy Metal/Hard Rock group in black leather. The next thing we were wearing spandex… I just said that I was going to move on.


Would you have done anything differently if you could go back in time?


If ‘The Elder’ had never happened I might have stayed. I protested all the way through the making of that record; it was the wrong album at the wrong time. Gene, Paul and Bob Ezrin just pushed ahead with it so I decided to quit the band because we didn’t see eye to eye on our musical taste or direction. If the album had been a heavy, Hard Rock album, that turned out to be ‘Creatures Of The Night’, then I might have stayed in the band. They listened to me after the fact. They did ‘The Elder’ and it bombed and then they did ‘Creatures Of The Night’ which was a real Hard Rock album and it did much better, but I’d already decided to quit. You can’t turn back time… I think everything happens for a reason. I’m happy with my solo career which is going onwards and upwards.


You’ve done two covers albums now, ‘Origins Vol. 1’ and ‘…Vol. 2’. Do you have any plans for a third?


We definitely have plans for ‘Origins Vol. 3’ but I can’t give away any of the songs yet, it’s too soon. I’ll keep that under wraps for now.


Looking forward, your album is out now and you’re gearing up to play more shows. What else do you have planned for the coming months?


I’ll be playing as many shows as I can and I’ll be playing KISS songs and Ace songs, so I’m looking forward to getting out there and playing again and hopefully playing a couple from the new record too. I’m making a promise that I will be in Europe next year. I don’t have a passport at the moment so couldn’t make it this year but definitely will next year. I’m still having issues with the IRS so can’t get my passport until that’s sorted out... you know how that shit goes? My accountants are getting everything sorted out and I’ll get my passport renewed so I’m looking forward to playing in the UK and Europe again.

Top

Listen to the album on Spotify


'If ‘The Elder’ had never happened I might have stayed.'

VOICES OF ROCK & METAL

ACE FREHLEY

Issue No: 107

081-Fireworks.png
bottom of page