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Troy Redfern announces new single and music video "The Strange" from forthcoming album "Invocation"


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Troy Redfern © Kevin Bridges

 

PRE-ORDER THE ALBUM FROM WWW.TROYREDFERN.COM

 

“It’s a hell of a ride and, if it doesn’t get the adrenaline flowing, 
you may want to check your pulse.” – Sonic Abuse


“Troy at his rockiest yet, the pace leaving you breathless, 
as the sheer energy blows you away.” – Metal Planet Music


“Redfern mixes the spirit of T. Rex’s Get It On with dirty, ZZ Top-esque 
blues rock – all of it nicely roughened, like something cooked up in a shack 
in rural Texas…” – Classic Rock


“With a classic rock vibe, Redfern owns this blues-infused rocker with gritty vocals. 
A rockstar in the making, he burns up the fretboard with fiery slide guitar chops.” 
– Rock and Blues Muse


 

Invocation is the name of the exhilarating and highly anticipated brand-new 11-track album from slide guitar virtuoso Troy Redfern. The album, released by RED7 Records on Friday 17th May 2024, will be available in limited edition coloured vinyl, black vinyl, plus two different CD artwork designs. All formats are available to pre-order from www.troyredfern.com.


The third single from the album “The Strange” is released Thursday 4 January 2024 and is available to stream HERE.



Says Troy, “The Strange is about the realisation that a relationship is falling apart in slow motion. Despite how difficult it may seem to break away, it’s about the sense that life is slipping by is an ever-present feeling.”Over the course of last two albums The Fire Cosmic (2021) and Wings of Salvation (2022) Troy found his true voice stylistically in terms of writing and playing, but with Invocation he created a collection of outstanding new songs that carves out his own identity as to who he really is an artist.


“The Strange” explodes with bold, powerful guitars and a slide guitar melody that suggests we’re not in Kansas anymore. This is blues rock, but not as we know it. Troy is known for taking his disparate array of influences and throwing them into his fiery musical furnace to forge something that is both authentic and unique. “The Strange” is no exception! Sure, there are elements of blues, glam, and hard rock but the result is a sound that is unmistakeably his own. Everything recorded is organic. No drum samples or studio trickery, just pure, unadulterated rock ‘n’ roll.


Troy has proved time and time again that his cup of inspiration is not only full, but runneth over, writing and release albums at an unprecedented pace and judging by the strength of “The Strange” and the two previous singles “Getaway” and “The Fever,” the new album Invocation, promises to be his best yet.


Troy heads to the west Wales coast with his trusty 1929 National Triolian resonator guitar for a week of solitude in a remote Sheppard’s hut to sketch the initial song ideas for the new album. 

“It was important for me to really clear my mind of all distractions so I could really focus on what I wanted to write on this album and the direction I wanted to take it in.” says Troy.


“I tried some unorthodox approaches to song writing that included meditation where I would imagine hearing a song in my mind, as complete as possible including visualising the performance live. Next, I would pick up the guitar and capture the idea on my phone. That way I wasn’t led by what I would usually do when I pick up the guitar. It was a very freeing, powerful experience, and a discipline that I’ll use again to write more songs in the future.


For the new album, Troy decided that he’d bring back the production team that worked on The Wings of Salvation. Dave Marks was brought back again for production duties, along with Jo Webb for mixing and mastering. Lee Russel’s Dulcitone Studios in Kettering was again the logical choice to record Paul Stewart’s (The Feeling) drum tracks as the converted chapel has the perfect ambience for huge sounding rock drums.


Due to the streamlined process that Troy and producer Dave Marks employed on the previous album, Invocation was written, recorded, and mixed in just under six weeks. 

“It really was great to be able to realise and bring to fruition these songs as quickly as we did,” recalls Troy. “It kept the ideas fresh and stopped them from becoming overworked and tired.”


With ‘Invocation’ Troy explores fresh musical territory, from the heavy, bone crushing slide riffs and big sing along choruses on “Van Helsing” and “Getaway” to the evocative, wind-swept western landscapes of “The Native” and “Blind Me.” After three albums in three years Troy continues to expand his musical horizons and keep his creative fire burning.


 

Album

INVOCATION – TRACK LISTING

1 - The Strange (3.36)

2 – Getaway (3.25)

3 – Van Helsing (2.55)

4 – The Calling (4.47)

5 – Native (4.43)

6 - The Fever (3.33)

7 – All Night Long (3.34)

8 – Blind Me (4.16)

9 – Voodoo Priestess (3.25)

10 – Take Me High (3.42)

11 – The Last Stand (3.46)


ALBUM TRACK BY TRACK

THE STRANGE

The opening tune on the record explodes with a soaring slide motif that conjures up elements of 70’s glam, blues but with a unique melodic spin. I wanted to make a bold musical statement with this song. I condensed a lot of ideas that I had for this one down to simple, memorable lines to make it as strong as I could. This song really is a melting pot of a lot of my influences from the past forged into something new.


GETAWAY

This song is straight up rock ‘n’ roll. I’d just bought a 60’s Teisco guitar, I restrung it, plugged it in and this was the first riff that came out of it.’ Continues Troy ‘It’s strange how different instruments almost have songs in them, there to be revealed when the time is right. Getaway deals with themes of starting over, being reborn after going through the trials of life.


VAN HELSING

The deceptively quiet resonator intro soon gives way to one of the biggest guitar riffs on the record. Van Helsing is a powerhouse of a song, dark and brooding until the chorus breaks through to reveal one of the biggest choruses on the album. With Van Helsing I wanted to explore a heavier, darker aspect of my writing. I’ve always loved the vibe of heavy riffs, and this certainly is that. To me the chorus is one of the strongest choruses that I’ve written, I worked hard on the harmonies to nail the vibe I was looking for.


THE CALLING

I’ve always wanted to write a slow motion, epic kind of a tune. The Calling was a song that was born out of that desire. This song is about escaping the technological net we all live in, and to get out into the wilderness to reset and get perspective on what’s important in life.


NATIVE

This track fades into a western post-apocalyptic western audio landscape, with tribal drums and tremolo guitar setting the scene. This song was another that seem to just fall out. I plugged in the ’62 Silvertone Jupiter guitar and started playing and the idea formed completely organically in the moment. It feels very special when that happens, and now that it’s been road tested, I know that audiences are picking up on the vibe of this track.’


THE FEVER

This is a slide guitar blues barn-buster with subtle nuances of rock, glam and psychedelia. Lyrically, it deals with themes of emancipation and breaking out. It’s Troy Redfern full-circle blues rock and roll!

The Fever is about pushing back and breaking through all the obstacles when you're feeling held down. It’s about feeling as if it’s you against the world.


ALL NIGHT LONG

Coming out of the gates hard and fast like a Dodge Charger, All Night Long combines hard rock ‘n’ roll with slide guitar fury! When I wrote this song, I always imagined it a set opener. It’s got power and edge, but also a big sing along chorus’ states Troy. ‘For this track I decided to my trusty Fender Strat which has a different texture to my other guitars, it gave the song a unique sound.


BLIND ME

Blind Me is a song about the dark side of love. It’s about finding out things aren’t what they seemed, and the brutal reality of finding out the truth. This is the first time that I’ve strayed into ‘country’ territory, I usually like to leave it well alone, but again this song came to me with its style locked in. Once I’d recorded the initial idea, I knew what this song was asking to be.


VOODOO PRIESTESS

A voodoo hellraiser of a blues boogie coated in Tiki/psychobilly paraphernalia. Voodoo Priestess is a tale of coming under the spell of a temptress who uses otherworldly powers to ensnare her victim. Resistance is futile, because as we know, the female of the species is more deadly than the male.


TAKE ME HIGH

This straight ahead, upbeat rocker celebrates the power of the endorphin rush of new love. Muscular slide riffs syncopate the verses adding to the intensity of the delivery but also contrasting the uplifting openness of the chorus. The verse on this song came first, initially as a nod to Bo Diddley, but soon morphed into its own thing. I’d had the chorus melody floating around for some time and it seemed just to snap into place with this one.


THE LAST STAND

The closing tracking track on the album was originally written to a drum loop to create a hypnotic groove which is reenforced by the repeating guitar line played on the ’64 Teisco guitar. The song deals in themes of revenge and vengeance and plays out like an old western movie. There’s a slightly mysterious vibe on this track, a sense of uneasiness which is echoed in the eastern style slide solo.


PRODUCTION CREDITS

Produced by Dave Marks at Two Wolves Studios

Mixed and mastered by Jo Webb at XXX Studios

Drums recorded at Dulcitone Studios by Lee Russel

Troy Redfern – Vocals/Guitars

Dave Marks – Bass, Keys, Percussion

Paul Stewart – Drums


 

Taking up the guitar as a teen, Troy quickly absorbed his musical influences of the early blues pioneers and the energy of the 70s and 80s rock icons. The turning point came when he discovered open tunings and slide guitar.


“I immediately felt like I’d come home the moment I put a bottleneck on my finger and started playing slide, it instantly felt completely natural to me. This style of playing helped me find my true voice on the instrument.”



His talents quickly realised, he received endorsements from Ernie Ball Strings, Airline Guitars and even has his own signature glass blown slide made by world renowned slide manufacturer Diamond Bottlenecks whose roster includes the who’s who of slide guitar luminaries including the likes of Mark Knopfler.


Carving out a name for himself by relentlessly touring and blazing a trail across the main stage festival circuits in the UK, Europe, Scandinavia, and Russia, and sharing the stage with the likes of Robert Plant and Dr Feelgood, Troy has worked tirelessly to build a strong following of diehard fans who gravitate towards his passionately honest, fiery performances and visceral guitar playing.



In 2022, Troy released the album The Wings of Salvation and completed four full UK tours garnering an overwhelming response from music critics, reviewers, and fans alike. He has toured with Robert Jon & The Wreck, the Quireboys, The Sweet, and When Rivers Meet. In October the same year, he embarked on a 12-date UK tour supporting DARE.


Leading up to his 23 September 2022, release of his studio album The Wings of Salvation, Troy released three singles and accompanying music videos for “Come On,” “Gasoline,” and “Sweet Carolina,” all of which have attracted heavy radio airplay and have been featured on Joe Bonamassa’s popular Spotify playlists Cutting Edge Blues, Epic Guitar Solos, and Ultimate Blues Rock.


In November 2022, Redfern won Hard Rock Hell’s “Blues Artist of the Year” award. 


On Friday December 2nd, 2022, Troy performed at Planet Rockstock. Later in the same month, The Wings of Salvation was featured in Rock and Blues Muse’s Top 25 Albums of 2022. 



Troy released a brand-new single entitled “The Fever” on 11 January 2023. The single was added to Planet Rock’s playlist, making this Troy’s fourth single Planet Rock has playlisted, following hot on the heels of “Ghosts,” “Come On,” and “Sweet Carolina.” Troy followed this with a co-headline UK tour with the Canadian roots rockers, the Commoners.


In October 2023, Troy released “Getaway,” the second single taken from his forthcoming album Invocation. This was the fifth single to be added to Planet Rock’s playlist. Troy followed the release of the single by playing various summer festivals including Steelhouse, Maid of Stone, and headlined RAWA Festival in Poland. In November, Troy toured the UK with guitarist Philip Sayce and played Planet Rock Radio’s Planet Rockstock Festival, followed by Planet Rock’s Blues Power “Live” concert at Dingwalls in Camden Town, North London on December 7th.



On January 4, 2024, Troy will release the single “The Strange” taken from his new album Invocation released 17 May 2024.


 

TROY REDFERN – SOCIAL MEDIA


 

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