“Feeding The Beast” gets things moving with the sort of driving guitar work Hansen fans will immediately recognise, while still making it clear that this isn't simply Helloween under another name. “Welcome To Life” takes a few more chances, bringing punk energy and some unexpected changes of direction. “Don’t Care” adds electronic touches and a rebellious attitude, before “Wait And See” heads into darker territory with a heavier, more industrial feel. The eight-minute title track is the album's centrepiece. It takes its time getting started, gradually builds into faster and heavier sections, then changes direction again. There is even a distinctly Queen-like feel to parts of the arrangement before everything comes together in a huge, memorable finale. “I.D.G.A.F.” shows Hansen's sense of humour, pairing an extremely blunt lyric with a surprisingly infectious song. It may not be the one to sing along to loudly in polite company, but musically it is difficult to resist. “End Of The Road” brings back the galloping guitars and melody associated with Hansen's power-metal work, while “Triple Trouble” pushes that even further. Tight guitar harmonies, a fast pace and plenty of energy make it one of the album's most obvious headbanging moments. “Invaders” keeps the momentum going with a straightforward heavy-metal attack, before “Wonderland” brings the album to a strong conclusion with weight, melody and another reminder of Hansen's ability to write a memorable metal song.